
FINALLY, THE MOVIE MAESTRO IS RECOGNIZED
Those of you who are Oscar-watchers may stop yourself when you see the name of this year’s honourary award recipient, Ennio Morricone.
And while you may be asking who the heck he is, I won’t be. Instead I’ll be reveling in the well-deserved recognition for the definitive master of movie music.
Morricone, 78, has composed the scores for over 500 films. Yep, that’s right. 500.
But it’s not just quantity. He’s also left a legacy of haunting, melodic themes that often transcend the films for which they’re composed.
Morricone, intent on becoming a classical composer, began writing for movies in the late 1950s. A few years later, he collaborated with classmate Sergio Leone, on the first Clint Eastwood Spaghetti Western,
A Fistful of Dollars. With more movies like
For a Few Dollars More,
The Good, The Bad and The Ugly and
A Fistful of Dynamite, the two would redefine the western genre.
They would do more. Leone’s
Once Upon A Time in The West is the greatest western movie ever made, Morricone’s soundtrack the greatest ever composed for a cowboy flick.
I don’t say the greatest ever because Morricone’s best work was still to come. Making the leap across the ocean, he again worked with Leone on
Once Upon A Time in America.
Morricone was first nominated for an Oscar for 1979’s
Days of Heaven. He was also nominated for
The Untouchables,
Bugsy and
Malena but his work for
The Mission in 1986 (also Oscar nominated) may be his most memorable. The music is as beautiful as Chris Mendes’ photography, lush and rich - it absolutely deserved to win.
Morricone still wasn’t done – he again collaborated with Giuseppe Tornatore on the latter’s
Cinema Paradiso, winner of Best Foreign Film in 1990. The maestro’s sweet, romantic score is another classic.
While he’s never won an Oscar, he’s received three Grammy noms and eight Golden Globe noms, winning twice – for
The Legend of 1900 and
The Mission (the Hollywood Foreign Press got it right).
Closing in on 80, he is still incredibly active and currently working on an Untouchables sequel and
Leningrad, an epic to be lensed by Tornatore.
Honourary awards are usually good times for food or bathroom breaks during the long Oscar ceremony. This year is an exception. I’ll be glued to the set, with the volume cranked through my stereo listening to beauty that Morricone has bestowed on us time and time again.